March 17th in Austin:

March 19th in Austin:

March 20th in San Antonio (basement of the Alamo):

March 17th in Austin:

March 19th in Austin:

March 20th in San Antonio (basement of the Alamo):


Very very exciting tings a gwan at the Baobab Village! Soum Bill, the founder of Les Garagistes, is recording his new album in New York and will be making a stop by San Francisco for a one time performance. We are so lucky to be able to have him perform here in the Bay Area. I will be djing alongside the great DJ Polo of Reggae Gold SF, and the other Baobab resident DJ’s. Come get your Zouglou and Coupe Decale first hand in the mission next Friday December 4th!
Speaking of Ivory Coast, I’m already getting World Cup 2010 fever, and apparently Les Elephants and the Black Stars are both in the possible running for a world cup final appearance. Time to get my Drogba jersey (sorry Chelsea haters!) Here is one of my favorite songs from the Ivory Coast:
My friends from We Own TV put together a trailer of footage from their summer workshop in Lungi, Sierra Leone. When Banker first showed me the beginning clip in his studio, the beauty of the shots and their emotional power gave me the shivers.
While infrastructure development is underway, and stories of returnees from Europe and the US start to surface, I think that this kind of initiative to promote public expression from all sectors of society, will be what truly brings Sierra Leone out of a post-war period, and push it into the thriving prosperous country it has the potential to be.

I’ve been invited down tomorrow night (Tuesday) to Los Angeles by my friends Daniel and Asma of Nguzunguzu to play at their weekly Tuesday night party Wildness, which I’m excited for. The night, started by DJ Total Freedom, seems like it may live up to the name if the reviews have anything to say about it. Me I’m just down for some good old fashioned American Freedom. Anticipate an adventurous set.
I’ll be flying back up to Oakland on Wednesday to guest alongside DJ Santero. Check his dope song and video:
I’m going to play some Bubu, and other magical musics, in honor of the night’s theme.

It’s at Luka’s Taproom, the place I stomped around for a few months on Thursdays, so it’s nice to be back. Hopefully I’ll see you arrrround!

The Highlife is stopping by Little Baobab on Saturday May 30th. I’m telling you now, get there EARLY! It will fill up. Music starts at 10pm. The regular crew, Shawn Dub, Be Brown and I are working on an after hours. Keep an eye out for more info.
Featured this time will be special guest Geko Jones from the Dutty Artz crew. The theme of the night is Champeteando! Geko has inspired me with his mixes of bassey latin dance and roots music for awhile now, so I had to have him come out for a special night at Little Baobab. Champeta is Colombian music that started off on the Atlantic coast around the 1980′s when sailors coming in from Africa brought records of Soukous, Rumba, Highlife that DJ’s grabbed and blew up the dances in Afro Colombian strongholds like Palenque, Barranquilla, and Cartageña. To get a sense of this great sound visit the great Africolombia blog, by Fabian Altahona based in Baranquilla.
Here is some video of what today’s Champeta sounds (and looks) like:
Stevie B and I will be playing the regular contemporary African jams. That, mixed with the Afro Latino bass that Geko and partner Uproot Andy have been known to play in New York will make this one night melding of minds and continents in the heart of San Francisco’s mission district a definite not miss. Join us y champeteamonos!

James Baldwin is one of my heroes. His book Tell Me How Long the Train’s Been Gone is one of my favorites. In 1963 he took a trip to San Francisco to analyze the deeper aspects of the Black community in a city that professes (still to this day) to be a stronghold of progressive thought, but can’t always deliver on that promise.
This documentary is amazing (fullscreen version here). I’ve never seen video of James until I saw this video posted at Africa is a Country blog. It’s also amazing to see the old film footage of San Francisco, in neighborhoods that I work in today, dealing with some of the same issues.
This is San Francisco at the start of the redevelopment project, a project that has left a deep scar on the face of the city. It’s not necessarily a visible scar unless you knew what was there before, but you can get an idea of where we’re at right now by watching this and this.

My Bay Area Salone family is having a launch party for We Own TV on May 14th. I mentioned the project on a previous post, and wanted to make sure the word gets spread as wide as possible about this project. The release info is here.
The launch event will be held from 6:30pm – 8:30pm at:
Bay Area Video Coalition
2727 Mariposa Street, 2nd Floor
San Francisco CA 94110
RSVP Requested.
If you have a half hour check out the documentary called Lost Freetown on issues of development in Sierra Leone (Double-click on the video because embedding was disabled):
I was linked to it through Twitter by my friend Banker White last night. Banker has a great project he’s in the process of starting called We Own TV. Watch an introductory film to the project by Black Nature of the Refugee All Stars.
These kind of development project are really what Sierra Leone needs, but I can’t help but worry in these times of economic downturn if of the money for such projects will be directed in other places.
That reminds me of a project by another Sierra Leonean brother, Lamin over at Dutty Artz. Check out his recession raps posts and podcast. While we worry over jobs and future financial security, I wonder what true economic destruction would do to a place like the U.S.
What I see illustrated in the video is that people in the poor parts of Freetown are living on survival mode. This is the mode akin to what people in the states saw after Katrina, or other natural disasters. The difference is right now in Freetown, people never get out of survival mode. Those who are fortunate enough to travel abroad often get a break, but many people live that reality their whole life. On the flip side in the U.S. often times people never even enter into survival mode. The interview with Arthur Pratt on the We Own TV he says that if people enter into theater (or another artistic expression) they start to think about life more deeply. It takes them out of survival mode.

Another development project that interests me greatly is the eco-tourism illustrated on Banana Islands. My ancestral homeland is Bonthe district, and my father was born on Sherbro Island in Bonthe town. That area was hit hard by the war, but I would love to go there and do work in that part of the provinces. There are plans for the building of an airport making it prime for that kind of eco-tourism and a deep history that would lend it to the kind of opportunities afforded on Gorre Island. Cultural expression, environmental clean up, hey let’s get some green energy in there and jobs that pay wages, health care and education soon behind. All this talk about stimulus packages in the U.S. just keeps me wondering about Sierra Leone.
Lastly check out my post over at Ghetto Bassquake on Sierra Leone’s Bubu music. Let’s increase the visibility of issues in Sierra Leone and poor communities around the world. Interest leads to investment.
What I would give to have been at Congo Square!

We all know that this election is a big moment in the history of the United States, but I can’t help myself from thinking about my feelings of desperation around this same time in 2004. I was enthusiastically ready for Kerry to defeat Bush, but the feeling in the air was so different. There were more protests and more uncertainty. I knew I wanted some kind of real change but I couldn’t really visualize what that was or how that was going to be delivered.
That year I missed the speeches at the Democratic Party’s Convention. I remember the next day being told about Obama and finding an affinity to the stories that he had told and were recited back to me. Then he won his race for Senator. I saw shots of Midwestern African-Americans, presumably on the Southside of Chicago, cheering in jubilation. It was a celebratory scene in an area similar to neighborhoods I knew, growing up in a Midwestern U.S. city. It seemed a hopeful consolation to the Kerry loss.
More and more I started to hear about Barack Obama. Rapper Common was the first person I heard to make the call for Presidential Election. I read his book and made this mixtape (click on image to download):
Now we’re on the verge of this man making history. I am excited, but have to say that I am bewildered by, saddened by, and in fear of, some of the anti-Obama rantings made by some of my fellow countrymen. Sometimes I want to laugh, but it’s getting harder and harder to do that. I can’t say that I’m surprised by the racism, or the fear, but maybe I’m a little shocked by the passion with which these people profess their hate. Perhaps I’m surprised because these people would not consider me in the same way that I would consider them. I really can’t even picture if I was plopped down in the middle of a McCain-Palin rally how these people would react. That’s scary. McCain in the last days of this race are leaning on the ignorance of people stuck in their grandparent’s America. Where did all these right wing radicals come from?
Every single hate speech launced at Obama stings me personally. I too believe in “spreading the wealth.” I have a similarly sounding name given to me by my African father (which is apparently makes me un-American.) My Grandfather was born into a Muslim family. I am in someways a community organizer. I actually have even met former members of the “domestic terrorist” group the Weather Underground at a talk they did at my college. On the flip-side, I too have a white mother, with working class Midwestern roots. I went to one of the nation’s top Universities and have continued my parent’s goals of pursuing the American Dream. I strive to one day be in a position to help change the world.
In my opinion, I am the definition of America.
So in response, I’ve produced a track with a rapper friend (from Dayton, Ohio) who goes by the name Cracker One. I can’t co-sign all his lyrics, but I love that this guy has made it his personal mission to introduce “Crackah” in the lexicon of Hip Hop loving white folks the world over. He’s making “Crackah” the “Nigga” for white people. Why hasn’t this caught on before? White people need to own this term. I don’t want to hear a single White person use the N-word in any form for the rest of my life. People need to deconstruct and own race in a direct, healthy, and respectful way. Just imagine the conversation. Two white guys meeting on a subway platform, “What up my Crackah!” As a person who is both part “Crackah,” and part “Nigga” this would be the America that I would want to live in. I guess I would have to start using “Mulatto!”
Below is Cracker One’s dedication to all those good folks back in the Midwest, and not to give too much attention to the wackos in Tennessee, but don’t these idiots look like they’re taking a page out of the Al-Qaeda press book? Extremism looks the same wherever you are on this planet. Let’s do this on November 4th.
Recent Comments