Super Akwaaba Disco Caravan

20 11 2008

I done a mix for Akwaaba music’s podcast.  It is their first episode, so it’s an honor to have Benjamin reach out to  me for that.  He asked me to do a mix incorporating songs from his next release, Chaleh Move It!, which is packed with dancefloor sounds from Ghana and Ivory Coast.

He told me I could mix in anything else I want, so I did.  Lately I’ve been hearing songs of all different genres in all parts of the world taking influence of contemporary African dance musics.  By taking influences from other parts of the world, African artists have started a direct two way conversation between themselves and places like the U.K., Germany, Colombia, and the U.S.  For me, the Afro-pop I grew up on need no longer to be confined to Africa, or house parties, or family reunions in the diaspora.  We gonna take everyone’s clubs by storm!

Oh, and buy their first release, Akwaaba Wo Africa, on their site or on itunes!

Subscribe in iTunes

For tracklist, to listen or download, or to Subscribe using another reader, click here.





Obama

28 10 2008

We all know that this election is a big moment in the history of the United States, but I can’t help myself from thinking about my feelings of desperation around this same time in 2004.  I was enthusiastically ready for Kerry to defeat Bush, but the feeling in the air was so different.  There were more protests and more uncertainty.  I knew I wanted some kind of real change but I couldn’t really visualize what that was or how that was going to be delivered.

That year I missed the speeches at the Democratic Party’s Convention.  I remember the next day being told about Obama and finding an affinity to the stories that he had told and were recited back to me.  Then he won his race for Senator.  I saw shots of Midwestern African-Americans, presumably on the Southside of Chicago, cheering in jubilation.  It was a celebratory scene in an area similar to neighborhoods I knew, growing up in a Midwestern U.S. city.  It seemed a hopeful consolation to the Kerry loss.

More and more I started to hear about Barack Obama.  Rapper Common was the first person I heard to make the call for Presidential Election.  I read his book and made this mixtape (click on image to download):

Now we’re on the verge of this man making history.  I am excited, but have to say that I am bewildered by, saddened by, and in fear of, some of the anti-Obama rantings made by some of my fellow countrymen.  Sometimes I want to laugh, but it’s getting harder and harder to do that.  I can’t say that I’m surprised by the racism, or the fear, but maybe I’m a little shocked by the passion with which these people profess their hate.  Perhaps I’m surprised because these people would not consider me in the same way that I would consider them.  I really can’t even picture if I was plopped down in the middle of a McCain-Palin rally how these people would react.  That’s scary.  McCain in the last days of this race are leaning on the ignorance of people stuck in their grandparent’s America.  Where did all these right wing radicals come from?

Every single hate speech launced at Obama stings me personally.  I too believe in “spreading the wealth.”  I have a similarly sounding name given to me by my African father (which is apparently makes me un-American.)  My Grandfather was born into a Muslim family.  I am in someways a community organizer.  I actually have even met former members of the “domestic terrorist” group the Weather Underground at a talk they did at my college.  On the flip-side, I too have a white mother, with working class Midwestern roots.  I went to one of the nation’s top Universities and have continued my parent’s goals of pursuing the American Dream.  I strive to one day be in a position to help change the world.

In my opinion, I am the definition of America.

So in response, I’ve produced a track with a rapper friend (from Dayton, Ohio) who goes by the name Cracker One.  I can’t co-sign all his lyrics, but I love that this guy has made it his personal mission to introduce “Crackah” in the lexicon of Hip Hop loving white folks the world over.  He’s making “Crackah” the “Nigga” for white people.  Why hasn’t this caught on before?  White people need to own this term.  I don’t want to hear a single White person use the N-word in any form for the rest of my life.  People need to deconstruct and own race in a direct, healthy, and respectful way.  Just imagine the conversation.  Two white guys meeting on a subway platform, “What up my Crackah!”  As a person who is both part “Crackah,” and part “Nigga” this would be the America that I would want to live in.  I guess I would have to start using “Mulatto!”

Below is Cracker One’s dedication to all those good folks back in the Midwest, and not to give too much attention to the wackos in Tennessee, but don’t these idiots look like they’re taking a page out of the Al-Qaeda press book?  Extremism looks the same wherever you are on this planet.  Let’s do this on November 4th.

I will be voting for Barack Obama (Divshare Link)





Beaten By Them @ Hotel Utah This Wed. Sept. 10

10 09 2008

High Noon Saloon: Madison, WI

We’ve added a last show on this U.S. tour at the Hotel Utah in San Francisco, this Wednesday, September 10th.  We’re on at 9:00pm.

Come to the Tunnel Top afterwards for hot African beats from Benjamin and Boima.





My Life as a Cellist

22 08 2008

I’ve played different instruments ever since I can remember.  In grade school I picked up the cello, but my career as a classical musician never went too far past high school.  (I actually remember being told I was wasting the director of the University orchestra’s time at my audition in college.)  I was encouraged to pick up the cello again after college (and after honing my turntable skills) when I met a rapper turned hip hop folk guitarist named Adem in Madison.  A former drummer, he would play “beats” with chords on the Acoustic guitar, and I would lay down basslines and float melodies on top.  We played at a Cafe every Wednesday night for a year, I got my chops back, and we created something we called the Soul Rap Movement.  I also started playing with experimental jazz saxophonist Hanah Jon Taylor, and learning rhythm structures from Rockameem, an African-Latin style percussionist from Chicago.  It was an instrument that I had all but abandoned, but it was refreshing to play it in new and fun contexts.

When I moved to San Francisco, I was fiending to play with any and everyone perhaps for fear of losing it again.  I tried the Jazz open mics, played with free spirits in Golden Gate Park, started another hip hop project, and even did my own kind of freestyles over beats (Check the intro here). One day when I was leaving the laundromat, and I overheard a guy with an Australian accent say, “Well, let’s get together again, and I’ll put an ad on Craigslist for a cellist.”  I dropped my laundry basket, ran up to him and said, “I play cello!.”  We got together, practiced, played, toured, recorded, and now we are Beaten By Them.

Right now we are on the road, in Denver, headed East to the reach the Atlantic Ocean.  I really like that Ocean, but the Pacific is cool too.  And this band definitely bridges the Pacific Ocean.  Three of the members moved back to Australia, me and another live in California.

Here are a couple tunes:

Yang Tze

Pioneer 10

Here’s where we’re playing below.  If we’re near you, come thru and say Hi!

Beaten By Them Flyer

Beaten By Them Flyer

In case the image doesn’t load here are the dates, cities and venues:

SAN FRANCISCO ARGUS LOUNGE WED AUG 20
SHOW 8PM / 21+
DENVER HI-DIVE THU AUG 21
DOORS 8PM / SHOW 9PM 21+ $6
KANSAS CITY RECORD BAR SAT AUG 23
(NORTH VERSUS SOUTH MUSIC FESTIVAL)
DOORS 4PM 21+
ST LOUIS UNDERGROUND SUN AUG 24
DOORS 7PM / ALL-AGES
MADISON HIGH NOON SALOON MON AUG 25
SHOW 8:30PM / 21+
CHICAGO EMPTY BOTTLE TUE AUG 26
DOORS 9:30PM 21+ $7
DES MOINES VAUDEVILLE MEWS WED AUG 27
(WITH PARACHUTES, ICELAND)
DOORS 5PM / SHOW 5.30PM ALL-AGES $7
NEW YORK CITY KNITTING FACTORY FRI AUG 29
DOORS 8PM 21+ $8 ADV / $10 DOS
WASHINGTON DC VELVET LOUNGE SAT AUG 30
DOORS 9PM / SHOW 10PM 21+
PHILADELPHIA MANHATTAN ROOM SUN AUG 31
DOORS 8PM 21+ $8

Update: We have a tour blog!





mAfromatics Mix and Akwaaba Music

12 07 2008

I’m uploading this mix to promote my regular Wednesday night gig here in San Francisco at the Tunnel Top (601 Bush Street.) It is a mix of African Pop, Caribbean and African American musics that are an indication of some of the styles I play at the night. I call the night African Booty Scratchers. That’s Americans’ derogatory word for African Immigrants in the United States. Being 2nd generational, people called me and my family that when I was growing up. But now since I’m a scratching DJ and I play African and Booty shaking music, I felt like the name finally fits.

I haven’t figured out how to embed music on WordPress so click on the tracklisting below (text version of tracklist at bottom) to listen:

I also am excited to announce that Benjamin from Akwaaba Music will be joining to dj on Wednesday July 23rd, and we plan to collaborate on the night for the foreseeable future. Akwaaba Music is a digital distribution label for artists from Ghana, Ivory Coast, Senegal and Mali.

For those that are interested, I asked Ben about the business side of his venture and he wrote me with this:

“So Akwaaba means ‘welcome’ in twi, the language of the Ashanti people of Ghana. Spelled akwaba, it means the same in Côte d’Ivoire. I like the meaning, AND anyone can pronounce it!

My plan is to release the music digitally, I’m shooting for August 1 for the first release, which will be a compilation introducing the label. I’ll put out three themed compilations after that, one every month, then I will start to put out full artist albums.

I have exclusive 3 year deals with my artists, and I pay them every 3 months. For digital sales, I share the reports I get from iTunes and the other outlets. When needed I am registering the artists with ASCAP or BMI here, since they are not always registered with an authors society back home. And technically for the time being I am paying them via Western Union, since hardly any of the artists have a bank account. I also have local contacts in every country I work with handling things there.”

This is something that I’ve been wanting to do ever since I started digging more into African Music. I think this is pretty cool that Ben is doing this, and now folks will be able to get their hands on new music, when it comes out straight from the artist, and money goes back to them.

His website will be up soon.

Tracklisting for mAfromatics:

1. Unknown
2. El San Juanero-Nelson y Sus Estrellas
3. Chuchi Chuchi-Five Star
4. Decale Rap-Jeune Prodiges
5. Sant Yalla-Sérigne M’baye
6. Enseralen Gojo-Bole 2 Harlem
7. Soweto Funk-DJ Mbuso
8. Oya-Bantu feat. Ayuba
9. Decale Aladji-Ramatoulaye
10. Hi 2 D Sky-Saiko
11. Activate-Latin Fresh feat. Aldo Ranks
12. Ai Ai-Pussycat
13. No se Acaba el Mambo-Banda Gorda
14. Pat Malonthone-Sierra Leone Refugee Allstars
15. Ka-Bubu No. 1-Abdul Tee-Jay
16. Profitez-Mokobe feat. Yousou N’Dour
17. Changing Flows-Mr. Slaughter
18. War Bridge-Bounty Killer
19.Solidarité-Nder
20. El Que Llora No Mama-Comando Tiburón
21. No Era Por Ahí-Tego Calderón
22. I Luv Your Girl-The Dream





Diaspora Rockers Wear

2 06 2008

I just wanted to big up my man Bouba’s company Diaspora Rockers. They got real cool tees and I guess are running a music studio in Paris. We put their logo in the back of the cover for our Baobab Connection Mixtape, but it didn’t come out as prominently as we had planned. Pick up a T-Shirt, or a hat, or a belt buckle and get stylish today!

Diaspora Rockers Myspace Page





Ghetto Bassquake

11 05 2008

DJ Vamanos

I’ve been asked to contribute to the blog Ghetto Bassquake. Hosted by DJ Vamanos out of London town. It is an mp3 blog that hosts free music so go check it out and get your download on. It is an honor to be asked, and I’ll link to it here whenever something shows up by me there.

Click here for a post on Panama and the Carnaval music they have that is fusing with Dancehall. I really feel the music there, it’s a place of hybrid cultures that I can really relate to. Check out the video clips and free music to download.





Post-War Bomb!!!

29 04 2008

From Benn Loxo Du Taccu: March 30th, 2007

Dog MurrasToday we have another urban Angolan guest post by Benn loxo listener, DJ Chief Boima:

“So Kuduro. It seems to be making some waves on the international scene. And reflections on why lead me to thoughts on post war youth expression. Young people who grow up seeing humanity at it’s worst feeling the need to create something put something in the world, blow it up, and not themselves. Youth, fueled by emotions: anger, sadness, jubilation, create.

When the war is over, the world takes a peak into a society that many times is left for years, isolated to deal with its issues on its own.

So now we have Kuduro. Another ghetto expression where dancing replaces shooting. While the roots of Kuduro go way before the war was over, it is now that it’s getting some international attention. As for reasons why it’s getting attention, I would like to speculate on some deep emotional connection to violence that is counteracted by music, or go off on how many times the internet creates bandwagon trends, and then leaves when they find the next it thing, but the explanation could be as simple as the fact that so many people become displaced from a country and it’s culture during conflict times that their culture gets dispersed throughout the world in the diaspora. People living abroad want to connect to home, especially if they can’t go back, so they bring a part of home with them. The original international distribution is migration.

I don’t know a lot about the history of Angola, so I won’t go any further on what’s going on there now. All I can say is I love this music. It resonates with me, and always gets the crowds movin’. It’s crazy danceable with a clave backbone, (we are close to Congo here, and as hinted in my previous post I know, there’s a Rumba/Soukous/Kuduro Connection) an electronic 808 thump, created on the computer and ready for internet distribution, some hand claps for those disco/house throwbacks, (percolator eat your heart out!) and a fast orgulloso lyric that represents “where you’re from.” With all these ingredients, you have a mix for great music.

If you want to pick some of this music up a good starter is Frederic Gaillano’s CD available on Calabash. Buraka Som Sistema available on iTunes. Dog Murras is available on various Portuguese mail order sites, Puto Prata, Os Alameda, and Se Bem have also made some great tunes.

And if you’re in the states and you don’t know someone that just visited Africa who can sell you CD’s at three times the cost, these are two sites for music called CaboVerdeOnline, and Acheio.com. I’m not gonna vouch for them because I haven’t used them, but if you’re dying to get your hands on some hard copies here’s a start. Also if you’re in Europe FNAC Portugal carries Kuduro CD’s and DVD’s. I don’t think they have a ton, but you can order them online. Some of these groups are touring and Kuduro is spreading through Europe by way of Portugal, so just look around your town to get involved. Watch Kuduro dancing on You Tube.

These are my favorite Kuduro songs that I’ve heard so far. Nao Reipeitao Neh has the best beat I’ve ever heard. Hand claps I can’t get enough of! And Meu Povo’s drum intro and Angola Chants make me jump everytime I hear them. Enjoy…”

Amazing, as usual. Thanks, Boima.

Alameda – Nao Reipeitao Neh
Dog Murras – Meu Povo





Angolan Youngstas

29 04 2008

From Benn Loxo Du Taccu March 12, 2007
Das PrimerioBenn loxo listener Chief Boima comes through with a great Afro-Portuguese hiphop guest post today:

“I don’t know why but I too have become infatuated with Afro-Portuguese music. Maybe it’s because I’m Sierra Leonean and the Portuguese were the first to colonize before the British, and some Portuguese words survived in Krio like “sabi.” Or, maybe it’s because I speak Spanish not French and the it is much easier for me to get the general meaning behind the Portuguese lyrics than songs in other languages. Or, maybe because when I first heard Kuduro it blew my mind, and as a dj I became obsessed with the music that moves your booty like the Chicago House I used hear to at our middle school dances, but has roots in music like the dance tunes I knew from the African parties of my parents’ generation. But, here I am today collecting anything I can get my hand on from Bahia to Lisbon to Luanda and beyond.

Here are two hip hop tracks that also blew my mind when I first heard them. They are from two hip hop artists from Angola.

The first is Das Primeiro whom I heard the first time on some hip hop compilations when I took a trip to Portugal, he also has a track on the Rough Guide to African Rap. I think that he lives in Europe somewhere now, (Amsterdam?) but he reps Angola, and has a monster flow, with the confidence and delivery that could stand up to any of the greats in any language. I like his use of samples and really seems to be aware of his cultural roots while maintaining a strong hip hop identity. I chose the song Mana Maria because it has a real nice guitar sample that reminds of some of the Kizomba tunes or the other guitar based tunes that I’ve heard from Angola.

The second is Sonho Africano from Hemoglobina two Angolan MC’s, who live in South Africa now. (?) I heard them first on DJ Edu’s show on BBC 1xtra. This song is my favorite African hip hop song, because it reps a bunch of different nations, as well as the dope lyric content about what a gwan in Africa. It also has a beautiful guitar sample, and the beat drops heavy! I haven’t tracked down their album yet, but writing this has reminded/inspired me to do so. If any one knows where I can get it, hit me up: boima [at] ironmilitis.com. There are ton of great rappers in Portuguese out there, not just from Angola and who all use cultural influences to make their own brand of hip hop, like Sir Scratch, Rappin’ Hood and Marcelo D2. Check em’ if you get the chance.”

Thanks, Boima.

Das Primeiro – Mana Maria
Hemoglobina – Sonho Africano








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