PAN-African New York

24 04 2012

A team of fellow African DJs in New York and I have linked up to try and finally establish a permanent home for people of all backgrounds to enjoy the young, fresh, creative sounds coming out of the African diaspora at large. This Friday at Bamboo in Manhttan’s East Village we present the second edition of a night we’re calling PAN.

This month our guest is my mentor, and major influence on my life and music, DJ Marco owner of San Francisco’s Baobab franchise.

It’s also the official after party for the New York theatrical release of Andrew Dosunmu’s Restless City, the perfect film to accompany the movement we’re trying to support, as well as a day for Sierra Leoneans to celebrate Independence and South Africans to celebrate Freedom.

Let us know your coming on the Facebook Event Page. Hope to see you all there!





Local Bass

11 04 2012

Our talk at the Together festival was recorded and is now available online!





DC Passion Fruit

11 04 2012

I’m headed to DC this weekend to celebrate with DJ Rat, DJ Mafe, and DJ Bent the one-year anniversary of their Maracuyeah party!

I’ve gotten to meet all three of these amazing people over the past couple of months in DC, Texas, and most recently running into Dutty Artz crew member Bent in Boston at the Together Festival. They’re committed to creating spaces that allow for a mix of people from different backgrounds to come together and dance, and have organized their extended crew in a really impressive way that engages notions of community organizing and social justice and mixes it with music practice in the form of live events and pirate radio! The crew is also involved in organizing something called the DJ Geekout which they’ve taken on the road to places like the annual Allied Media Conference in Detroit.

DC people, come check out the Maracuyeah party, and support these amazing folks in any way or shape you can!





#Together We Ride

2 04 2012

I’m headed up to Boston again for another double duty. I’ll be DJing one of the best named parties I’ve ever seen, and then speaking with the same crew on a panel all at Boston’s Together Festival. It’s nice to be able to be a part of bridging these gaps between “global bass” practice and the discussion about what it all means. Take note, the conversation will be live-streamed.

Check the Facebook page for the party info, and check the panel info below:

Read the rest of this entry »





Afro Spectacle: God’s Own Country

30 01 2012

This Wednesday, DJ Rupture, Lamin Fofana, and Scheme from Old Money and I will be presenting our favorite African music videos culled from the streets of New York, as well as screening Femi Agbayewa’s Nollywood-American hybrid movie God’s Own Country.

This will be part of a series of events held at the Spectacle theater, in conjunction with Rupture’s Mudd Up radio show on WFMU. There’s a 30 person capacity, so come early! If you can’t make it you can listen to us live on the air, or in the show’s archived podcast.





Mixes to Get Into

2 12 2011

Tracks of mine have been featured on a couple of recent mixes that I thought I should point to.

First, the Afrika 21 Mixtape project is a third in a serious for Soicety HAE. This instillation was taken on by Spoek Mathambo. Read about the project, including partner organizations (including Africulturban!) you can donate to here.

AFRIKA21 The Mixtape vol. 3 by AFRIKA21

2nd, my Brooklyn compatriots Old Money released a blazing mix that includes one of my tracks from the upcoming African in New York EP. If you haven’t checked Old Money yet, don’t sleep!

Vanity Jukebox Vol. 13 Pretty Danger Mixed by Old Money by sotrvanenyc





Panel Picking

24 08 2011

While I was in Liberia this summer, I received a message from my friend DJ Ripley, that she was looking to put together a panel on collaborative music practices across international borders for SXSW, and wanted me to participate. She wants explore from different perspectives various notions of fairness in this hyper-speed global communication age, especially at a time when people are having to find new ways of making money. Seeing as I was in the midst of collaborating internationally with some Liberian artists at the time, and international exposure was one of the main things they were concerned about, I thought it would be a great thing to participate in and share my experience back to folks in the States.

With a little help from the panel crew, we put together the proposal, and it’s currently up for consideration by the SXSW committee. In order to get in 30% of our judgement comes from audience polls, so we need your help!

Vote for us both in the Music and Interactive portions of the SXSW music conference. And those who make the yearly trip down to Austin, see you in Texas!





A Rainy Sunday Morning

16 08 2011

I had a real fun time as a guest on my DJ partner and roommate Lamin Fofana‘s Sunday morning radio show this past weekend.

We laughed the whole way through the rainy morning, and when Lamin would stop suddenly and announce, “on a serious note, there is flash flooding in…” I’d be rolling on the floor. I can’t switch gears that fast.

But I mostly wanted to share this because I was able to play a lot of music that I collected and was inspired by on my recent stay in West Africa. If you want to hear some really good tunes from the continent and beyond, check out this show!

Lamin Fofana’s Sunday Morning Show: Give it Up for Champagne Edition

And be sure to tune in to WFMU every Sunday morning from 9am to noon EST.





The Highlife: Champeteando

13 05 2009

Champeteando

The Highlife is stopping by Little Baobab on Saturday May 30th.  I’m telling you now, get there EARLY!  It will fill up.  Music starts at 10pm.  The regular crew, Shawn Dub, Be Brown and I are working on an after hours.  Keep an eye out for more info.

Featured this time will be special guest Geko Jones from the Dutty Artz crew.  The theme of the night is Champeteando!  Geko has inspired me with his mixes of bassey latin dance and roots music for awhile now, so I had to have him come out for a special night at Little Baobab.  Champeta is Colombian music that started off on the Atlantic coast around the 1980′s when sailors coming in from Africa brought records of Soukous, Rumba, Highlife that DJ’s grabbed and blew up the dances in Afro Colombian strongholds like Palenque, Barranquilla, and Cartageña.  To get a sense of this great sound visit the great Africolombia blog, by Fabian Altahona based in Baranquilla.

Here is some video of what today’s Champeta sounds (and looks) like:

more about “EL SATANAS EN VACILE (PERREO : EL PULPO)“, posted with vodpod

more about “SILVESTRE CHAMPETEANDO“, posted with vodpod

Stevie B and I will be playing the regular contemporary African jams.  That, mixed with the Afro Latino bass that Geko and partner Uproot Andy have been known to play in New York will make this one night melding of minds and continents in the heart of San Francisco’s mission district a definite not miss.  Join us y champeteamonos!





Salone Surviving & Shining

23 03 2009

If you have a half hour check out the documentary called Lost Freetown on issues of development in Sierra Leone (Double-click on the video because embedding was disabled):

more about “Lost Freetown – Sierra Leone“, posted with vodpod

I was linked to it through Twitter by my friend Banker White last night.  Banker has a great project he’s in the process of starting called We Own TV. Watch an introductory film to the project by Black Nature of the Refugee All Stars.

These kind of development project are really what Sierra Leone needs, but I can’t help but worry in these times of economic downturn if of the money for such projects will be directed in other places.

That reminds me of a project by another Sierra Leonean brother, Lamin over at Dutty Artz.  Check out his recession raps posts and podcast.  While we worry over jobs and future financial security, I wonder what true economic destruction would do to a place like the U.S.

What I see illustrated in the video is that people in the poor parts of Freetown are living on survival mode.  This is the mode akin to what people in the states saw after Katrina, or other natural disasters.  The difference is right now in Freetown, people never get out of survival mode.  Those who are fortunate enough to travel abroad often get a break, but many people live that reality their whole life.  On the flip side in the U.S. often times people never even enter into survival mode.  The interview with Arthur Pratt on the We Own TV he says that if people enter into theater (or another artistic expression) they start to think about life more deeply.  It takes them out of survival mode.

banana_island_-_sierra_leone

Another development project that interests me greatly is the eco-tourism illustrated on Banana Islands.  My ancestral homeland is Bonthe district, and my father was born on Sherbro Island in Bonthe town.  That area was hit hard by the war, but I would love to go there and do work in that part of the provinces.  There are plans for the building of an airport making it prime for that kind of eco-tourism and a deep history that would lend it to the kind of opportunities afforded on Gorre Island.  Cultural expression, environmental clean up, hey let’s get some green energy in there and jobs that pay wages, health care and education soon behind.  All this talk about stimulus packages in the U.S. just keeps me wondering about Sierra Leone.

Lastly check out my post over at Ghetto Bassquake on Sierra Leone’s Bubu music.  Let’s increase the visibility of issues in Sierra Leone and poor communities around the world.  Interest leads to investment.








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