Afro Spectacle: God’s Own Country

30 01 2012

This Wednesday, DJ Rupture, Lamin Fofana, and Scheme from Old Money and I will be presenting our favorite African music videos culled from the streets of New York, as well as screening Femi Agbayewa’s Nollywood-American hybrid movie God’s Own Country.

This will be part of a series of events held at the Spectacle theater, in conjunction with Rupture’s Mudd Up radio show on WFMU. There’s a 30 person capacity, so come early! If you can’t make it you can listen to us live on the air, or in the show’s archived podcast.





Mixes to Get Into

2 12 2011

Tracks of mine have been featured on a couple of recent mixes that I thought I should point to.

First, the Afrika 21 Mixtape project is a third in a serious for Soicety HAE. This instillation was taken on by Spoek Mathambo. Read about the project, including partner organizations (including Africulturban!) you can donate to here.

AFRIKA21 The Mixtape vol. 3 by AFRIKA21

2nd, my Brooklyn compatriots Old Money released a blazing mix that includes one of my tracks from the upcoming African in New York EP. If you haven’t checked Old Money yet, don’t sleep!

Vanity Jukebox Vol. 13 Pretty Danger Mixed by Old Money by sotrvanenyc





Panel Picking

24 08 2011

While I was in Liberia this summer, I received a message from my friend DJ Ripley, that she was looking to put together a panel on collaborative music practices across international borders for SXSW, and wanted me to participate. She wants explore from different perspectives various notions of fairness in this hyper-speed global communication age, especially at a time when people are having to find new ways of making money. Seeing as I was in the midst of collaborating internationally with some Liberian artists at the time, and international exposure was one of the main things they were concerned about, I thought it would be a great thing to participate in and share my experience back to folks in the States.

With a little help from the panel crew, we put together the proposal, and it’s currently up for consideration by the SXSW committee. In order to get in 30% of our judgement comes from audience polls, so we need your help!

Vote for us both in the Music and Interactive portions of the SXSW music conference. And those who make the yearly trip down to Austin, see you in Texas!





A Rainy Sunday Morning

16 08 2011

I had a real fun time as a guest on my DJ partner and roommate Lamin Fofana‘s Sunday morning radio show this past weekend.

We laughed the whole way through the rainy morning, and when Lamin would stop suddenly and announce, “on a serious note, there is flash flooding in…” I’d be rolling on the floor. I can’t switch gears that fast.

But I mostly wanted to share this because I was able to play a lot of music that I collected and was inspired by on my recent stay in West Africa. If you want to hear some really good tunes from the continent and beyond, check out this show!

Lamin Fofana’s Sunday Morning Show: Give it Up for Champagne Edition

And be sure to tune in to WFMU every Sunday morning from 9am to noon EST.





The Highlife: Champeteando

13 05 2009

Champeteando

The Highlife is stopping by Little Baobab on Saturday May 30th.  I’m telling you now, get there EARLY!  It will fill up.  Music starts at 10pm.  The regular crew, Shawn Dub, Be Brown and I are working on an after hours.  Keep an eye out for more info.

Featured this time will be special guest Geko Jones from the Dutty Artz crew.  The theme of the night is Champeteando!  Geko has inspired me with his mixes of bassey latin dance and roots music for awhile now, so I had to have him come out for a special night at Little Baobab.  Champeta is Colombian music that started off on the Atlantic coast around the 1980′s when sailors coming in from Africa brought records of Soukous, Rumba, Highlife that DJ’s grabbed and blew up the dances in Afro Colombian strongholds like Palenque, Barranquilla, and Cartageña.  To get a sense of this great sound visit the great Africolombia blog, by Fabian Altahona based in Baranquilla.

Here is some video of what today’s Champeta sounds (and looks) like:

more about “EL SATANAS EN VACILE (PERREO : EL PULPO)“, posted with vodpod

more about “SILVESTRE CHAMPETEANDO“, posted with vodpod

Stevie B and I will be playing the regular contemporary African jams.  That, mixed with the Afro Latino bass that Geko and partner Uproot Andy have been known to play in New York will make this one night melding of minds and continents in the heart of San Francisco’s mission district a definite not miss.  Join us y champeteamonos!





Salone Surviving & Shining

23 03 2009

If you have a half hour check out the documentary called Lost Freetown on issues of development in Sierra Leone (Double-click on the video because embedding was disabled):

more about “Lost Freetown – Sierra Leone“, posted with vodpod

I was linked to it through Twitter by my friend Banker White last night.  Banker has a great project he’s in the process of starting called We Own TV. Watch an introductory film to the project by Black Nature of the Refugee All Stars.

These kind of development project are really what Sierra Leone needs, but I can’t help but worry in these times of economic downturn if of the money for such projects will be directed in other places.

That reminds me of a project by another Sierra Leonean brother, Lamin over at Dutty Artz.  Check out his recession raps posts and podcast.  While we worry over jobs and future financial security, I wonder what true economic destruction would do to a place like the U.S.

What I see illustrated in the video is that people in the poor parts of Freetown are living on survival mode.  This is the mode akin to what people in the states saw after Katrina, or other natural disasters.  The difference is right now in Freetown, people never get out of survival mode.  Those who are fortunate enough to travel abroad often get a break, but many people live that reality their whole life.  On the flip side in the U.S. often times people never even enter into survival mode.  The interview with Arthur Pratt on the We Own TV he says that if people enter into theater (or another artistic expression) they start to think about life more deeply.  It takes them out of survival mode.

banana_island_-_sierra_leone

Another development project that interests me greatly is the eco-tourism illustrated on Banana Islands.  My ancestral homeland is Bonthe district, and my father was born on Sherbro Island in Bonthe town.  That area was hit hard by the war, but I would love to go there and do work in that part of the provinces.  There are plans for the building of an airport making it prime for that kind of eco-tourism and a deep history that would lend it to the kind of opportunities afforded on Gorre Island.  Cultural expression, environmental clean up, hey let’s get some green energy in there and jobs that pay wages, health care and education soon behind.  All this talk about stimulus packages in the U.S. just keeps me wondering about Sierra Leone.

Lastly check out my post over at Ghetto Bassquake on Sierra Leone’s Bubu music.  Let’s increase the visibility of issues in Sierra Leone and poor communities around the world.  Interest leads to investment.





Super Akwaaba Disco Caravan

20 11 2008

I done a mix for Akwaaba music’s podcast.  It is their first episode, so it’s an honor to have Benjamin reach out to  me for that.  He asked me to do a mix incorporating songs from his next release, Chaleh Move It!, which is packed with dancefloor sounds from Ghana and Ivory Coast.

He told me I could mix in anything else I want, so I did.  Lately I’ve been hearing songs of all different genres in all parts of the world taking influence of contemporary African dance musics.  By taking influences from other parts of the world, African artists have started a direct two way conversation between themselves and places like the U.K., Germany, Colombia, and the U.S.  For me, the Afro-pop I grew up on need no longer to be confined to Africa, or house parties, or family reunions in the diaspora.  We gonna take everyone’s clubs by storm!

Oh, and buy their first release, Akwaaba Wo Africa, on their site or on itunes!

Subscribe in iTunes

For tracklist, to listen or download, or to Subscribe using another reader, click here.





Obama

28 10 2008

We all know that this election is a big moment in the history of the United States, but I can’t help myself from thinking about my feelings of desperation around this same time in 2004.  I was enthusiastically ready for Kerry to defeat Bush, but the feeling in the air was so different.  There were more protests and more uncertainty.  I knew I wanted some kind of real change but I couldn’t really visualize what that was or how that was going to be delivered.

That year I missed the speeches at the Democratic Party’s Convention.  I remember the next day being told about Obama and finding an affinity to the stories that he had told and were recited back to me.  Then he won his race for Senator.  I saw shots of Midwestern African-Americans, presumably on the Southside of Chicago, cheering in jubilation.  It was a celebratory scene in an area similar to neighborhoods I knew, growing up in a Midwestern U.S. city.  It seemed a hopeful consolation to the Kerry loss.

More and more I started to hear about Barack Obama.  Rapper Common was the first person I heard to make the call for Presidential Election.  I read his book and made this mixtape (click on image to download):

Now we’re on the verge of this man making history.  I am excited, but have to say that I am bewildered by, saddened by, and in fear of, some of the anti-Obama rantings made by some of my fellow countrymen.  Sometimes I want to laugh, but it’s getting harder and harder to do that.  I can’t say that I’m surprised by the racism, or the fear, but maybe I’m a little shocked by the passion with which these people profess their hate.  Perhaps I’m surprised because these people would not consider me in the same way that I would consider them.  I really can’t even picture if I was plopped down in the middle of a McCain-Palin rally how these people would react.  That’s scary.  McCain in the last days of this race are leaning on the ignorance of people stuck in their grandparent’s America.  Where did all these right wing radicals come from?

Every single hate speech launced at Obama stings me personally.  I too believe in “spreading the wealth.”  I have a similarly sounding name given to me by my African father (which is apparently makes me un-American.)  My Grandfather was born into a Muslim family.  I am in someways a community organizer.  I actually have even met former members of the “domestic terrorist” group the Weather Underground at a talk they did at my college.  On the flip-side, I too have a white mother, with working class Midwestern roots.  I went to one of the nation’s top Universities and have continued my parent’s goals of pursuing the American Dream.  I strive to one day be in a position to help change the world.

In my opinion, I am the definition of America.

So in response, I’ve produced a track with a rapper friend (from Dayton, Ohio) who goes by the name Cracker One.  I can’t co-sign all his lyrics, but I love that this guy has made it his personal mission to introduce “Crackah” in the lexicon of Hip Hop loving white folks the world over.  He’s making “Crackah” the “Nigga” for white people.  Why hasn’t this caught on before?  White people need to own this term.  I don’t want to hear a single White person use the N-word in any form for the rest of my life.  People need to deconstruct and own race in a direct, healthy, and respectful way.  Just imagine the conversation.  Two white guys meeting on a subway platform, “What up my Crackah!”  As a person who is both part “Crackah,” and part “Nigga” this would be the America that I would want to live in.  I guess I would have to start using “Mulatto!”

Below is Cracker One’s dedication to all those good folks back in the Midwest, and not to give too much attention to the wackos in Tennessee, but don’t these idiots look like they’re taking a page out of the Al-Qaeda press book?  Extremism looks the same wherever you are on this planet.  Let’s do this on November 4th.

I will be voting for Barack Obama (Divshare Link)





Beaten By Them @ Hotel Utah This Wed. Sept. 10

10 09 2008

High Noon Saloon: Madison, WI

We’ve added a last show on this U.S. tour at the Hotel Utah in San Francisco, this Wednesday, September 10th.  We’re on at 9:00pm.

Come to the Tunnel Top afterwards for hot African beats from Benjamin and Boima.





My Life as a Cellist

22 08 2008

I’ve played different instruments ever since I can remember.  In grade school I picked up the cello, but my career as a classical musician never went too far past high school.  (I actually remember being told I was wasting the director of the University orchestra’s time at my audition in college.)  I was encouraged to pick up the cello again after college (and after honing my turntable skills) when I met a rapper turned hip hop folk guitarist named Adem in Madison.  A former drummer, he would play “beats” with chords on the Acoustic guitar, and I would lay down basslines and float melodies on top.  We played at a Cafe every Wednesday night for a year, I got my chops back, and we created something we called the Soul Rap Movement.  I also started playing with experimental jazz saxophonist Hanah Jon Taylor, and learning rhythm structures from Rockameem, an African-Latin style percussionist from Chicago.  It was an instrument that I had all but abandoned, but it was refreshing to play it in new and fun contexts.

When I moved to San Francisco, I was fiending to play with any and everyone perhaps for fear of losing it again.  I tried the Jazz open mics, played with free spirits in Golden Gate Park, started another hip hop project, and even did my own kind of freestyles over beats (Check the intro here). One day when I was leaving the laundromat, and I overheard a guy with an Australian accent say, “Well, let’s get together again, and I’ll put an ad on Craigslist for a cellist.”  I dropped my laundry basket, ran up to him and said, “I play cello!.”  We got together, practiced, played, toured, recorded, and now we are Beaten By Them.

Right now we are on the road, in Denver, headed East to the reach the Atlantic Ocean.  I really like that Ocean, but the Pacific is cool too.  And this band definitely bridges the Pacific Ocean.  Three of the members moved back to Australia, me and another live in California.

Here are a couple tunes:

Yang Tze

Pioneer 10

Here’s where we’re playing below.  If we’re near you, come thru and say Hi!

Beaten By Them Flyer

Beaten By Them Flyer

In case the image doesn’t load here are the dates, cities and venues:

SAN FRANCISCO ARGUS LOUNGE WED AUG 20
SHOW 8PM / 21+
DENVER HI-DIVE THU AUG 21
DOORS 8PM / SHOW 9PM 21+ $6
KANSAS CITY RECORD BAR SAT AUG 23
(NORTH VERSUS SOUTH MUSIC FESTIVAL)
DOORS 4PM 21+
ST LOUIS UNDERGROUND SUN AUG 24
DOORS 7PM / ALL-AGES
MADISON HIGH NOON SALOON MON AUG 25
SHOW 8:30PM / 21+
CHICAGO EMPTY BOTTLE TUE AUG 26
DOORS 9:30PM 21+ $7
DES MOINES VAUDEVILLE MEWS WED AUG 27
(WITH PARACHUTES, ICELAND)
DOORS 5PM / SHOW 5.30PM ALL-AGES $7
NEW YORK CITY KNITTING FACTORY FRI AUG 29
DOORS 8PM 21+ $8 ADV / $10 DOS
WASHINGTON DC VELVET LOUNGE SAT AUG 30
DOORS 9PM / SHOW 10PM 21+
PHILADELPHIA MANHATTAN ROOM SUN AUG 31
DOORS 8PM 21+ $8

Update: We have a tour blog!








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