Obama

28 10 2008

We all know that this election is a big moment in the history of the United States, but I can’t help myself from thinking about my feelings of desperation around this same time in 2004.  I was enthusiastically ready for Kerry to defeat Bush, but the feeling in the air was so different.  There were more protests and more uncertainty.  I knew I wanted some kind of real change but I couldn’t really visualize what that was or how that was going to be delivered.

That year I missed the speeches at the Democratic Party’s Convention.  I remember the next day being told about Obama and finding an affinity to the stories that he had told and were recited back to me.  Then he won his race for Senator.  I saw shots of Midwestern African-Americans, presumably on the Southside of Chicago, cheering in jubilation.  It was a celebratory scene in an area similar to neighborhoods I knew, growing up in a Midwestern U.S. city.  It seemed a hopeful consolation to the Kerry loss.

More and more I started to hear about Barack Obama.  Rapper Common was the first person I heard to make the call for Presidential Election.  I read his book and made this mixtape (click on image to download):

Now we’re on the verge of this man making history.  I am excited, but have to say that I am bewildered by, saddened by, and in fear of, some of the anti-Obama rantings made by some of my fellow countrymen.  Sometimes I want to laugh, but it’s getting harder and harder to do that.  I can’t say that I’m surprised by the racism, or the fear, but maybe I’m a little shocked by the passion with which these people profess their hate.  Perhaps I’m surprised because these people would not consider me in the same way that I would consider them.  I really can’t even picture if I was plopped down in the middle of a McCain-Palin rally how these people would react.  That’s scary.  McCain in the last days of this race are leaning on the ignorance of people stuck in their grandparent’s America.  Where did all these right wing radicals come from?

Every single hate speech launced at Obama stings me personally.  I too believe in “spreading the wealth.”  I have a similarly sounding name given to me by my African father (which is apparently makes me un-American.)  My Grandfather was born into a Muslim family.  I am in someways a community organizer.  I actually have even met former members of the “domestic terrorist” group the Weather Underground at a talk they did at my college.  On the flip-side, I too have a white mother, with working class Midwestern roots.  I went to one of the nation’s top Universities and have continued my parent’s goals of pursuing the American Dream.  I strive to one day be in a position to help change the world.

In my opinion, I am the definition of America.

So in response, I’ve produced a track with a rapper friend (from Dayton, Ohio) who goes by the name Cracker One.  I can’t co-sign all his lyrics, but I love that this guy has made it his personal mission to introduce “Crackah” in the lexicon of Hip Hop loving white folks the world over.  He’s making “Crackah” the “Nigga” for white people.  Why hasn’t this caught on before?  White people need to own this term.  I don’t want to hear a single White person use the N-word in any form for the rest of my life.  People need to deconstruct and own race in a direct, healthy, and respectful way.  Just imagine the conversation.  Two white guys meeting on a subway platform, “What up my Crackah!”  As a person who is both part “Crackah,” and part “Nigga” this would be the America that I would want to live in.  I guess I would have to start using “Mulatto!”

Below is Cracker One’s dedication to all those good folks back in the Midwest, and not to give too much attention to the wackos in Tennessee, but don’t these idiots look like they’re taking a page out of the Al-Qaeda press book?  Extremism looks the same wherever you are on this planet.  Let’s do this on November 4th.

I will be voting for Barack Obama (Divshare Link)





Internal Border War

22 10 2008

Check out the second half of this show, an interview with Guillermo Gomez Pena, an artist, currently based in San Francisco. He is sort of a hero for some friends of mine who are artists out here, and I love his idea of the fight across borders between worlds and within ourselves. My favorite part is when discussing hipsters versus locals, he says that the hipsters aren’t always that hip and the locals aren’t always that local.

Interview with Guillermo Gomez Pena on KQED Radio San Francisco





The Highlife: Saturday October 18th

10 10 2008

Highlife Music was one of the first African musics to take influences from American Sounds.  In the 1920′s as urban areas in West Africa grew, Jazz, and Big Band arrangements fused with local Palm Wine and acoustic musics, and also mixed with Calypso, Cuban Son, and other musics from overseas.  It was fun, uplifting music in the spirit of good times.

These such fusions continue on through to today,  and it is in that spirit of mixing and good times, a group of folks have come together to bring you The Highlife, a new monthly party.

This is a project in collaboration with the African Immigrant and Refugee Resource Center, Thirdspace Productions, Akwaaba Music Label.  I’m excited to launch my own monthly event that could go off into bigger territory.  Guest DJs include Benjamin from Akwaaba, Shawn Dub (the homie), DJ Oro 11 (the homie).  The flyer design was done by Samira Idroos.

We’re also playing music that isn’t really getting promoted widely in San Francisco.  If you wanna hear Panamanian Reggae Soca, or Angolan Kuduro, or South African Kwaito, or U.K. Funky House, or U.K. Broken Beat, or Digital Cumbia, or Ivorian Coupe Decale, or Ghanian Hiplife, all in one place, and at the forefront, not mixed in or added as a footnote to another style, THIS IS THE PLACE TO BE!

The first one is at Anu Bar on 6th Street between Mission and Market in Downtown San Francisco!  Keep an eye out for the next one as well!

 





What Move You?

10 10 2008

For those who didn’t catch it at Ghettobassquake:

Kuduromatic put up a song with rhythms, melodies, and vocal stylings that sound to me like Angolans being influenced by West African Hiplife, Coupe Decale or Zouglou. Perhaps it’s a nod to Congolese Soukous, the name Langa Langa recalling my favorite Soukous group Zaiko Langa Langa.

DJ Papi Chulo and Alidjuma-Langa Langa

Maybe I’m wrong about that, and this is purely Angolan, but I picture in my head someone in Angola listening at a distance to a song from a place they’ve never been and being influenced enough to try to replicate that with their own musical dialect. It excites me to think that the rhythms and understanding would come naturally in this trans-national musical conversation.

I grew up within earshot of mid-nineties Chicago, Dance Mania’s heyday. I didn’t know what the songs were that made their way into radio DJ sets and middle school dance parties alongside songs from Luke, Tag Team, or perhaps Quad City DJ’s. I more remember the sex education I received from watching my schoolmates dance. I fondly recall one “hip hop” party where the kids were freaking to Underworld.

At family parties I danced to music from far away places like Trinidad, The Congo and Cameroon.

Kuduro, for me, mixes the family party rhythm, with the middle school party attitude. A message of understanding from Africa.

A friend told me the other day, “your ancestors are talking to you.”

Maybe they’re just mediating the conversations I have with other people.








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